It’s not often I get excited by a dish or bowl that’s solid white. It seems like such a missed opportunity for self-expression via a compelling color palette. But this brilliant sweep of 18 inches of ceramic, a stone cold product of the Space Age Atomic 1950’s, screams to be pristine hospital white, especially when its cargo is this complimentary of a match:
I’m not sure what the hole on the bottom is for as there are no breaks in the surface at the top but who am I to argue when the dish is so beautiful?
I’ve taken about 40 photos trying to get the manufacturers mark to show up better but it’s a series of blurry failed attempts. It almost makes you seasick to stare at it through human eyes let alone a camera lens. If I had created such beautiful work I’d be sure my name was a little more readable, throw some aqua glaze into the etching or something. To remedy this, I grabbed my one digital camera I’ve never been able to let go of, my Canon PowerShot SD 500, a cheap little thing that takes better macro shots than any camera I’ve owned. Between my cheap but reliable macro and cranking the levels and contrast up I can now tell you that this bowl was made by:
Imperfect signature execution or not, this is one of my favorite serving dishes I own. Thank God the sculptor was better at dragging their clay tool across smooth concave surfaces than signing their name. Not many Good & Plentys could have fit in those tiny crevices anyway.
Beautiful photo #2 would make a great visual for a VALLEY OF THE DOLLS poster.
The Good & Plenty’s are positively a work of art in that bowl. Magnificent photo.